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Here, we continue to let ourselves evolve while fully ignoring the commercial context in which we exist.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTracklist\u003c\/p\u003e\n\u003cp\u003eA1 Levitation\u003cbr\u003eA2 Sparks\u003cbr\u003eA3 Space Song\u003cbr\u003eA4 Beyond Love\u003cbr\u003eB1 10:37\u003cbr\u003eB2 PPP\u003cbr\u003eB3 Wildflower\u003cbr\u003eB4 Bluebird\u003cbr\u003eB5 Days Of Candy\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Sub Pop Records","offers":[{"title":"Default Title","offer_id":41901919535287,"sku":"","price":23.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/2555\/4103\/files\/qq.jpg?v=1692625280"},{"product_id":"beach-house-bloom","title":"Beach House – Bloom - 2XLP","description":"\u003cp\u003eBeach House’s Bloom, released in 2012, is a shimmering exploration of dream pop at its most expansive and immersive. 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Epic hooks that snare you in surprisingly subtle ways, guitar textures that slide against each other like old lovers, and structures that range from a neo-power-ballad (“Web So Dense”) to jazzily-canted West Coasty post-psych (“Give It Off”) to a track that subliminally recalls the keyboard approach of Scott Thurston-era Stooges (“Drop Me”). The album plays out with a combination of holism and variety that is certain to set many brains ablaze. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e  J says he'll be taking this album on the road later in the year. He'll be playing by himself, but unlike other solo tours he says he'll be standing up this time. “I used to just sit down and build a little fort around myself -- amps, music stands, drinks stands, all that stuff. But I just realized it sounds better if the amps are higher up because I'm so used to playing with stacks. 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He sounds especially great on “I Can't Find You,” where he is Jack Nitzsche to J's Neil Young, creating one of the album's loveliest tunes. The other guest musician, Matthew “Doc” Dunn, is also prominent on this track. Dunn's steel guitar manages to both widen and soften the musical edges of the music, giving it a full classicist profile. Dunn is an Ontario-based polymath who J met through Matt Valentine. After J played on Doc's great 2022 Sub Pop single, “Your Feel,” he figured it was time for payback. Both Dunn and Mauri add beautifully to the songs here, helping to transform them from acoustic sketches into full-blown post-core power ballads. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWhat Do We Do Now is the finest set of solo tunes J has yet penned, and the way they're presented is just about perfect. Asked if he would be touring to support the album, J says he'll be doing some weekend dates, but he probably won't be putting a band together. And I'm sure these songs will sound great solo and acoustic, but the arrangements on this album are truly great and put a cool, different spin on Mascis' instantly recognizable approach to making music. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSo, what do we do now? Not sure. But apparently, what J does is to make one of his most killer records ever. Hats off to him.  \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Sub Pop Records","offers":[{"title":"Default Title","offer_id":48955576844471,"sku":null,"price":13.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/2555\/4103\/files\/jmascis-whatdowedonow-3600_740x_5518c2a2-38bb-4201-8020-0cba686cd2ab.webp?v=1785956067"},{"product_id":"sunny-day-real-estate-lp2-remastered-expanded-edition-2xlp","title":"Sunny Day Real Estate - LP2 - Remastered  Expanded Edition -   2XLP","description":"\u003cp\u003eSunny Day Real Estate is the second studio album by American rock band Sunny Day Real Estate. The band's label, Sub Pop, distributed the album under the title LP2. Due to its simple pink cover, the album is often referred to as \"The Pink Album\". 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With ten songs clocking in at just over 30 minutes, the record is a brief yet scintillating glimpse at chiming, reflective, and perfectly skewed pop innovation. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eChutes Too Narrow was released to widespread acclaim in 2003, garnering Pitchfork’s “Best New Music,” four stars from Rolling Stone, and raves from the New York Times, MOJO, the Village Voice, and SPIN. It subsequently made best-of-the-decade lists from The AV Club, NME, Paste, Pitchfork, and Uncut.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eMercer says of Chutes Too Narrow, “I was very aware at the time that I had struck gold with the first record, and it was unlikely to happen again. “Sophomore slump” and all that. The pressure to prove myself as a viable writer had never been so pronounced. Midway through the mixing process, I realized one of the songs would not work, so I stayed up after everyone went to bed and wrote ‘Young Pilgrims.’ And with Ek’s help, it worked! Such a stressful but beautiful experience!”  \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eA1        Kissing The Lipless\u003cbr\u003eA2        Mine's Not A High Horse\u003cbr\u003eA3        So Says I\u003cbr\u003eA4        Young Pilgrim\u003cbr\u003eA5        Saint Simon\u003cbr\u003eB1        Fighting In A Sack\u003cbr\u003eB2        Pink Bullets\u003cbr\u003eB3        Turn A Square\u003cbr\u003eB4        Gone For Good\u003cbr\u003eB5        Those To Come\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Sub Pop Records","offers":[{"title":"Default Title","offer_id":49093231902903,"sku":null,"price":23.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/2555\/4103\/files\/d1_3c92a130-1a00-4168-a9bf-b07271b875a2.jpg?v=1788016836"},{"product_id":"the-shins-chutes-too-narrow-cd","title":"The Shins – Chutes Too Narrow - CD","description":"\u003cp\u003eChutes Too Narrow, the heavily anticipated follow-up to The Shins’ beloved debut, Oh, Inverted World, was recorded in James Mercer’s basement home studio, with later mixing at Seattle’s Avast! Recording Co. with assistance from Phil Ek (Built to Spill, Modest Mouse, David Cross, Les Savy Fav, etc.). With ten songs clocking in at just over 30 minutes, the record is a brief yet scintillating glimpse at chiming, reflective, and perfectly skewed pop innovation.   \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eChutes Too Narrow was released to widespread acclaim in 2003, garnering Pitchfork’s “Best New Music,” four stars from Rolling Stone, and raves from the New York Times, MOJO, the Village Voice, and SPIN. It subsequently made best-of-the-decade lists from The AV Club, NME, Paste, Pitchfork, and Uncut.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eMercer says of Chutes Too Narrow, “I was very aware at the time that I had struck gold with the first record, and it was unlikely to happen again. “Sophomore slump” and all that. The pressure to prove myself as a viable writer had never been so pronounced. Midway through the mixing process, I realized one of the songs would not work, so I stayed up after everyone went to bed and wrote ‘Young Pilgrims.’ And with Ek’s help, it worked! Such a stressful but beautiful experience!”  \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eA1        Kissing The Lipless\u003cbr\u003eA2        Mine's Not A High Horse\u003cbr\u003eA3        So Says I\u003cbr\u003eA4        Young Pilgrim\u003cbr\u003eA5        Saint Simon\u003cbr\u003eB1        Fighting In A Sack\u003cbr\u003eB2        Pink Bullets\u003cbr\u003eB3        Turn A Square\u003cbr\u003eB4        Gone For Good\u003cbr\u003eB5        Those To Come\u003c\/p\u003e","brand":"Sub Pop Records","offers":[{"title":"Default Title","offer_id":49093233541303,"sku":null,"price":12.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/2555\/4103\/files\/d1_b1d8fd46-cb0b-4ce3-88a5-fa83b636f9a7.jpg?v=1788017173"},{"product_id":"mudhoney-touch-me-im-sick-7","title":"Mudhoney  - Touch Me I'm Sick  - 7\"","description":"\u003cp\u003eMudhoney's \"Touch Me I'm Sick\" is a classic 1988 debut 7-inch single released on Sub Pop Records (catalog number SP18) \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eA        Touch Me I'm Sick    2:23\u003cbr\u003eB        Sweet Young Thing Ain't Sweet No More    3:35\u003c\/p\u003e","brand":"Sub Pop Records","offers":[{"title":"Default Title","offer_id":49094036881591,"sku":null,"price":9.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/2555\/4103\/files\/477225.jpg?v=1788038010"},{"product_id":"father-john-misty-fear-fun-lp","title":"Father John Misty – Fear Fun – LP","description":"\u003cp\u003eFear Fun, Father John Misty's new album, began gestating during what Tillman describes as an immobilizing period of depression in his former Seattle home, when he had lost interest in songwriting and wound up finding his voice by writing a novel. After breaking from Seattle and settling in a spider-infested Laurel Canyon treehouse, Tillman spent months demoing songs, eventually liberating himself from his creative impasse. With the help of LA producer\/songwriter\/pal Jonathan Wilson, a wealth of talented musicians kicking around LA, and producer Phil Ek (who everyone knows has worked with Built to Spill, Modest Mouse, Band of Horses, Fleet Foxes), Fear Fun blossomed into a fully-formed expression of Tillman's unrestrained vision.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFear Fun consists of such disparate elements as Waylon Jennings, Harry Nilsson, Arthur Russell, All Things Must Pass, and Physical Graffiti, often within the same song. Tillman's voice has never been better and often sounds like Roy Orbison at his most joyous, while the music maintains a dark, mysterious yet playful, almost Dionysian quality. Lyrically, his absurdist fever dreams of pain and pleasure elicit, in equal measures, the blunt descriptive power of Bukowski or Brautigan, the hedonist-philosophy of Oscar Wilde and the dried-out wit of Loudon Wainwright III. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide A:\u003c\/strong\u003e\u003cbr\u003e1. Funtimes in Babylon\u003cbr\u003e2. Nancy From Now On\u003cbr\u003e3. Hollywood Forever Cemetery Sings\u003cbr\u003e4. I'm Writing A Novel\u003cbr\u003e5. O I Long to Feel Your Arms Around Me\u003cbr\u003e6. Misty's Nightmares 1 \u0026amp; 2\u003cbr\u003e\u003cstrong\u003eSide B:\u003c\/strong\u003e\u003cbr\u003e1. Only Son of the Ladiesman\u003cbr\u003e2. This Is Sally Hatchet\u003cbr\u003e3. Well, You Can Do It Without Me\u003cbr\u003e4. Now I'm Learning to Love the War\u003cbr\u003e5. Tee Pees 1-12\u003cbr\u003e6. 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Named after the cartons pasted on the walls in an optimistic attempt at sound-proofing, Egg boasted a '60s vintage 8-track Spectra Sonics recording console, originally built for Stax in Memphis. So it was that, in the spring of 1991, Mudhoney made Every Good Boy Deserves Fudge. The resulting album is a whirlwind of the band's influences at the time: the fierce '60s garage rock of their Pacific Northwest predecessors The Sonics and The Lollipop Shoppe, the gnashing post-hardcore of Drunks With Guns, the heavy guitar moods of Neil Young, the lysergic workouts of Spacemen 3 and Hawkwind, the gloomy existentialism of Zounds, and the satirical ferocity of '80s hardcore punk. The quartet's special alchemy meant these fond homages never slid into pastiche. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eUltimately, Every Good Boy Deserves Fudge epitomised the best of Mudhoney: here was a band reconnecting with it's purest instincts, and in the process reinventing itself. 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This is their first release without Matt Lukin on bass (Guy Maddison formerly of Bloodloss and Lubricated Goat takes over, and Wayne Kramer plays bass on \"Inside Job\"). 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In 1988, Mudhoney followed their instant-classic debut single with Superfuzz Bigmuff, a six-song EP so overflowing with chaotic rock energy it warped thousands of minds, and inspired countless guitarists to immediately search for the titular fuzz pedals. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOutside: \u003c\/strong\u003e\u003cbr\u003eA1 Need\u003cbr\u003eA2 Chain That Door\u003cbr\u003eA3 Mudride\u003cbr\u003e\u003cstrong\u003eInside: \u003c\/strong\u003e\u003cbr\u003eB1 No One Has\u003cbr\u003eB2 If I Think\u003cbr\u003eB3 In 'N' Out Of Grace\u003c\/p\u003e","brand":"Sub Pop Records","offers":[{"title":"Default Title","offer_id":49097642475703,"sku":null,"price":23.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/2555\/4103\/files\/82df7a48-8f86-4663-b37b-bd84f232dde1.jpg?v=1788202578"},{"product_id":"mudhoney-under-a-billion-suns-lp","title":"Mudhoney - Under a Billion Suns - LP","description":"\u003cp\u003eFor 18 years, Mudhoney has proved to be one of the most consistently electrifying acts to survive the grunge implosion, whatever that was. The wolfish howls of singer Mark Arm, soulful splatterings of guitarist Steve Turner, and frenzied fills of drummer Dan Peters have produced nine albums to date, most of which are considered neo-garage classics. Drummer Matt Lukin has been replaced by the inimitable Australian Guy Maddison. \"Under A Billion Suns\" is performed with the same amplified urgency of their previous work. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eMudhoney has never swayed from their vision of making really loud rock, and this album is no exception. Produced by three notable knobsters, Phil Ek, Johnny Sangster, and Tucker Martine, and boasting a blaring horn section, this record exposes a more snidely political-fueled side of our shaggy heroes, but one revealed through the invariables of the Mudhoney recipe: thick, soggy punk riffs and underrated guitar dynamics, psychedelic tangents, and snot-nosed finger pointing. Loud and fierce. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e1  Where Is the Future\u003cbr\u003e2  It Is Us\u003cbr\u003e3  I Saw the Light\u003cbr\u003e4  Endless Yesterday\u003cbr\u003e5  Empty Shells\u003cbr\u003e6  Hard-On For War\u003cbr\u003e7   Brief Celebration of Indifference, A\u003cbr\u003e8   Let's Drop In\u003cbr\u003e9   On the Move\u003cbr\u003e10  In Search Of\u003cbr\u003e11  Blindspots\u003c\/p\u003e","brand":"Sub Pop Records","offers":[{"title":"Default Title","offer_id":49097656729783,"sku":null,"price":23.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/2555\/4103\/files\/d07f0679-ddbe-4c78-98cc-434d7ffa60ff.jpg?v=1788202940"}],"url":"https:\/\/skyvalleyrecords.com\/collections\/sub-pop.oembed?page=3","provider":"Sky Valley Records","version":"1.0","type":"link"}